We do enjoy messing with the genre algorithms but that’s not why our sound changes so much. We just do exactly what we want. We are not worried about audience expectation and feel very lucky that our fans have followed through so many changes.Yet, we do feel at the end of the day everything we put out has an ADULT. stamp on it. You have already had a lot of collaborations with various artists but who is still on your bucket list? Yes, the 2017 collaborative album Detroit House Guests on Mute was an amazing experience. Working with Douglas J McCarthy from Nitzer Ebb, Michael Gira from Swans, Shannon Funchess from Light Asylum, Robert Aiki Aubrey Lowe aka Lichens, Austrian thereminist Dorit Chrysler and multidisciplinary artist Lun*na Menoh was an incredible experience! We are currently working with Justin Pearson from the Locust and Luke Henshaw. There are so many people we would love to work with - too hard to answer… How do you both generally go about creating a new track? We go in the studio and we try to get 2 layered lines that interact together well. Something the sounds unique. If we go in the studio with intention we almost make a song that is opposite. We call that process the slippery fish. We work to make the process always different. Sometimes it’s 10 demos in 10 days, sometimes it is working on the same song for days. Which are you favourite all time instruments and which is your most recent treasure? Favourites: Korg Mono/Poly Sequential Circuits Pro One Roland CR78 New: We just got our Moog Minimoog serviced and it seriously sounds like a brand new synth! Nowadays it seems to be rather cool to be an analogue or even modular synth wizard and user and since you both clearly like to use lots of (analogue) hardware, including in your live set-up, I wonder how far you stay away from software plug-ins and other digital - 19 - www.peek-a-boo-magazine.be
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